Nx: Ocean Way Nashville is available now.I'm having to mix an indie film that I co-directed almost 18 years ago. Waves’ Nx: Ocean Way Nashville is at the vanguard of this technology and is an exciting harbinger of things to come.įind out more at Waves’ site. Producing music in a virtual environment – both visually and sonically – may soon be the norm. Immersive experiences are becoming more and more common in entertainment and it’s likely only a matter of time before this approach comes to music-making and mixing as well.
#USE WAVES NX IN MIXDOWN HOW TO#
The flaws of the self-mastered track were immediately apparent, while a run-through of the unfinished track in the Nx: Ocean Way Nashville environment immediately helped us see how to improve the EQ balance and spatial imaging. We then tried listening to two of our own productions, one a master and the other a mix in progress. Songs with more acoustic qualities seemed to sound even more natural in the Ocean Way Nashville control room, although all the music we auditioned benefitted from the environment.
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We tried a number of different songs, from nosebleed techno to dub to country (it is Nashville, after all). Nx: Ocean Way Nashville imparts a spacious, airy quality to the source material, whether that be a mix or finished track. The end result of all this technology is a surprisingly realistic depiction of listening in a three-dimensional space.
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Listening Through Nx: Ocean Way Nashville – Open And Airy Of course, impulse modelling also allows for early reflections to be created. Likewise, filtering and delay are allowed to occur as the sound waves reach your ears at different times and angles. This rectifies the loss of channel crosstalk you get when just listening through headphones. The adjacent control room and its custom monitors are also the stuff of legend, and they have been modelled in Nx: Ocean Way Nashville under the supervision of studio founder Allen Sides.īy making use of recorded impulse responses captured in the control room, the plugin models the physical space in three dimensions. Used for recording orchestras for film scores and video games, it’s an exceptional room, spacious and high ceilinged. One of the most striking aspects of the studio is the renovated church tracking room in Studio A. Beyonce, Beck, and Donna Summer are just some of the artists who have recorded there. Ocean Way Nashville Recording Studios opened in 1996. Place the plugin on your master bus after any effects and Nx will transform the audio into 3D. Additionally, the sonic footprint of monitors and other sound-output technology can be measured and recreated, allowing you to feel as if you were listening to a certain set of monitors in a certain control room. By capturing impulse responses, Waves can create an aural map of a room. Nx technology addresses all of these issues by placing the listener into a virtual three-dimensional space. We are often in motion when listening, even if just a tiny bit. Lastly, all of the above are affected by the motion of our heads. The brain uses these echoes to determine the source of a sound and the dimensions of the listening space. We hear these early reflections along with the original sound itself. Early reflections are the echo of a signal created by sound waves bouncing around an enclosed space. You may have heard this term in reference to reverbs. Spatial imaging problems can occur when the sound is being piped directly into our ears.Įarly reflections also play a part. This is lost when listening to headphones. There is also a slight delay created when the sound wave reaches one eardrum before the other. The frequency response of the sound is affected by the shape of our ears and head and the angle at which it enters the ear. This allows us to perceive the sound in 3D, rather than in insolation per ear.Īnother issue is filtering and delays. When listening to speakers in three-dimensional space, we get channel crosstalk, with each ear hearing not only the sound from the closest speaker but also that from the other.
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This is less than ideal, as many elements are lost this way.įor one, spatial imaging problems can occur when the sound is being piped directly into our ears. Musicians and DJs are often on the road as well and have no choice but to work on music on headphones.
![use waves nx in mixdown use waves nx in mixdown](https://img.wavescdn.com/1lib/images/homepage/1280/cla-mixdown-release.jpg)
#USE WAVES NX IN MIXDOWN FULL#
Because of proximity to other residents, home studios may not allow producers to listen at full volume. Many producers are reliant on mixing largely through headphones. The original Nx plugin creates an ideal mixing room.