Beginners on the keyboard only got those keys dished up later on. Bach did, however, leave out the most difficult keys with lots of sharps or flats. Just as later on, in Das Wohltemperirte Clavier, the order is chromatic, alternating between major and minor. The order in Bach’s later, definitive manuscript from 1723, however, corresponds to the system of the keyboard.
![bach two part inventions petrucci music library bach two part inventions petrucci music library](https://cdn3.virtualsheetmusic.com/images/first_pages/BIG/Bach/TwoPartFlFirst_BIG.gif)
In the exercise book for Wilhelm Friedemann, he organised the inventions by theme: the first three (numbers 1, 4 and 7) are based on scales, and the next three (numbers 8, 10 and 11) on broken chords, followed by a combination of both in Invention no. Bach went on to structure his method with care. After all, two-part texture is the simplest form of counterpoint. The 15 i nventions are dominated by imitation, as is to be expected in two-part Baroque music. Schirmer, nowadays, will certainly not compel you to consistently acquire in the establishment off-line. Reviewing publication Bach Two-Part Inventions For The Piano (Schirmers Library Of Musical Classics, Vol.379)From G. The 15 i nventions are followed in the Klavierbüchlein by the French and English Suites, and the collection concludes with Das Wohltemperirte Clavier. PDF Download Bach Two-Part Inventions for the Piano (Schirmers Library of Musical Classics, Vol.379)From G. The 15 i nventions were therefore the first step in Bach’s teaching method for keyboard.
#Bach two part inventions petrucci music library how to#
Three years later, he further underlined his didactic aim: the pupil was to practice two-part playing, learn how to deal with musical ideas and get a taste of composition. In tiny doses, the player can thus familiarise himself with the effect of music and with Bach’s genius.īach’s 15 i nventions are in the Klavierbüchlein, the exercise book that Bach compiled around 1720 for his eldest son, Wilhelm Friedemann. Like the ricercares of the Renaissance and early Baroque, Bach’s 15 i nventions are experiments (here very concise ones) on a musical idea, a theme and a new way of combining lines. But the name invention is also used for a very special genre with a colourful history, to which Bach’s 15 short keyboard pieces also belong. No piece of music can do without ingenious ideas or inventions.